anefa Ngidi heads for familiar maskandi territory with “Omahlalestolo”, and this one has that same familiar weariness his catalogue’s built on.
The moniker Omahlalestolo is one that requires some unpacking. It’s associated with the idea of people who just sit, hang about, maybe overstay in a place where they shouldn’t be. Zanefa Ngidi is obviously investigating something social here. Not preaching about it but more observing.
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